For almost an hour, I felt I was indeed an Art Major :lol:After lunch at McDonald’s , A.M.P. brought me to the El Camino College Art Gallery—I saw online that they were having a showcase of the artwork of their faculty members. As I was slowly going through each piece, I was distracted by some students and a man telling them that they were to start at the entrance. I figured they were having an actual class. After a second’s hesitation, I suddenly knew what I had to do.:idea: Clad in my jeans, t-shirt and sweater, and carrying a backpack befitting any college student, I marched outside and joined the group.:wink: I wouldn’t have thought of doing that before, but I realized there would be times when I would have to go out of my comfortable shell in order to make my experiences more enriching. Anyway, I looked more like a college student than some of the people in the group. There was even a vibrant seventy something old man and a boy of around ten years in the group. They initially seemed to be gallery passersby, just like I was, and they probably decided to join in the class, just as I did. Or maybe, the old man was indeed an Art student—not a lot of things surprise me nowadays.
Michael Lewis Miller, the professor in the class, seemed to be talking about a class homework. It had to do with planning an art exhibit—something that I did with a group of my good friends back home. He talked about the rubrics of a good exhibit and told the class to critique the show that was put up by their fine arts teachers. Monotonously dubbed, Faculty Show 2004—Works by El Camino College Fine Arts Department Faculty:roll:, Mr. Lewis himself told the class to start their critique with the title of the exhibit:lol:. He said it would have been better to have called it Undercurrents. However, he mentioned that the faculty usually protested whenever their collective name was left out when planning for any of their exhibits. Oh well—to each his own. Of course I would not trade our own exhibit title, Balik-Tanaw, for anything!
Mr. Miller’s pieces are aptly called enigmatic psychological furniture pieces. He said that he wanted to evoke as much reaction and interaction with his audience whenever he exhibits his work. He also tries to make his pieces as close to his home of origin as he could. And home for him was the Appalachian Mountains in Virginia. He said that his father, grandfather and great grandfather were all carpenters and that he inherited the tool box of his great grandfather, so as much as possible, his roots show in his work. He showed us two pieces—one was composed of two green wooden boxes with drawers and belts attaching the boxes to one another. They had all sorts of thingamajigs inside the drawers. He said it was meant to be worn and that was what he did. As he mentioned before, he always wanted his work to be conversation pieces. The second furniture was an adage cabinet or cupboard coated with blue milk paint. On the side, Mr. Lewis said he had a formula for making milk paint using tempera and powdered skim milk but that it could easily be bought online nowadays. [Maybe I should try that medium one of these days. My teacher Jeric Sadullo said they even used coffee and other such food items when he was still taking up Fine Arts]
On to the exhibit…The furniture was shaped like a chair, only the back rest was filled with drawers, and the seat could be lifted up to reveal something inside. The back of the chair-like piece could also be opened. All of the drawers, when opened, revealed an adage—one that he constantly heard his parents say to him as he was growing up. For instance, one would say “Cleanliness is next to Godliness.†In each drawer, he also enclosed objects that were representative of his wise sayings. For instance, in the cleanliness drawer, he added a soap where he carved the word God resting on a Last Supper soap dish. Upon opening the seat of the chair-cabinet, one would see the words “All work and no play makes Jack a dull boy.†He said that has always been his comeback to his parents. Inside were toys—not his own, but representative of the toys he had as he was growing up.
After the class left to be given their homework, I stayed on in the Gallery to savor the experience. Now armed with the knowledge that studies have shown people only lingering for an average of three seconds per painting in an art exhibition, I made a mental note to stay a bit longer :lol:. Of course, there were art pieces that made me stay a lot longer, some that did not interest me enough and a few that made me cringe and leave after less than three seconds of viewing them [like a miniature glass dome filled with spools of hair taken from the artist’s friends or their cats :cat:—definitely not my kind of art!].
All in all, the experience was indeed an enriching one for me. Not only did I get new art techniques out of it—more importantly, it emboldened me to do something I would probably only try in my dreams before.